This is where it begins.
Few films better define cult cinema than the erotic horror movie Vampyros Lesbos. The movies cult pedigree is firmly established by its director, Jesús Franco, a true cult icon who specialized in erotic horror, a genre fully contained under the cult umbrella. It stars the simply stunning (and legendary) Spanish goddess Soledad Miranda–often nude–which further solidifies the movie’s status. It was made in the 70’s, the unquestioned heyday of cult cinema. Like many cult classics, its bloodline is thoroughly European, filmed in Spain and initially released in West Germany.
IMDB provides this description: “An erotic horror tale about a vixen vampiress seducing and killing women to appease her insatiable thirst for female blood.”
This description is accurate enough … well, the first four words anyway. The rest of it leaves much to be desired. Let’s go with this instead: Linda is haunted by an erotic yet frightening dream. She discovers Nadine, the woman from her dreams, performing in a night club. Nadine is the Countess Carody, a lesbian (perhaps bisexual) vampiress, a “descendant” of Dracula himself. The bond that forms between to the two women is too powerful for either to deny. Eventually, their relationship will destroy one of them, or quite possibly both.
Well, not perfect, but I do like mine much better and it is certainly more accurate. The truth is, despite Nadine being a vampiress, there is very little bloodletting in this movie. In fact, she accounts for just one death. Other characters do most of the killing.
Kovec nihe trekatsch.
Billed as Susann Korda, Soledad Miranda’s performance as the Countess Carody is nothing short of breathtaking. She brings such beauty and innocence to the part that it nearly makes you weep. Ewa Strömberg (Ewa Stroemberg in the credits), who plays Linda Westinghouse, is equally beguiling in her own unique way.
A distinct, deliberate contrast is made between the two women, both in appearance and action. When one of these amazing women is on the screen, it is hard to look away. When both are in the same scene together, it’s nothing short of impossible.
The cast is rounded out by more beautiful women, including Heidrun Kussin as a Agra, and a handful of mostly creepy men, several of whom are at least as murderous as any vampire. The horror content is more psychological than anything and the gore is minimal. When things do get a little bloody (and they do), the effects boarder on cartoonish which softens the impact. The sexual content is erotic yet never too over the top. Nadine and Linda share a kiss at one point that is at least as powerful (and beautiful) as anything else we see on screen.
CAUTION: Content Warning!
I will take all your suffering away.
One specific highlight of this film is the “performance art” piece that brackets the film. These are not throw-away scenes and both serve a specific and important function for the overall plot. It also doesn’t hurt that, as Nadine, Soledad Miranda is exotic and captivating during these performances.
I should also mention that while there is plenty of nudity, there remains a sort of naturalness and innocence to it all that is unique to the time, the setting, and the context of the movie.
Soledad Miranda as Nadine
Vampyros Lesbos steers well clear of the common misogynistic tendencies for movies of this sort, which is another selling point. At the same time, it is quite compelling and very erotic. In short, a standout film of the genre.